The ballad of Esequiel Hernández.
(eVideo)

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Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Physical Description
1 online resource (1 video file, approximately 100 min.) : digital, .flv file, sound
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Format
eVideo
Language
English

Notes

General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Documentary Educational Resources in 2007.
Summary
In 1997, no one in the small town (pop. 100) of Redford, Texas knew that U.S. Marine teams, fully camouflaged and armed with M16 rifles, had been secretly deployed to their section of the border. Farmers like the Hernández family, who lived by the river, went on working their fields and tending to their livestock. On the evening of May 20, 18-year-old Esequiel Hernández Jr. left the house to tend to his family's goats, taking with him, as usual, a .22 rifle to keep away wild dogs. It was the last evening of his life. The ballad of Esequiel Hernández tells a frightening and cautionary tale about the dangers of using military as domestic law enforcement. When Esequiel Hernández was shot in 1997 he became the first American killed by U.S. military forces on native soil since the 1970 Kent State shootings. Shortly afterward, the administration suspended all military operations along the border. Nearly 10 years later, the military returned to the border, this time as part of the war on terror and the George W. Bush administration's effort to stem illegal immigration. Narrated by Tommy Lee Jones (a native of West Texas whose film The three burials of Melquiades Estrada was inspired by the Hernández shooting), The ballad of Esequiel Hernández features a full array of remarkably candid accounts from three of the four Marines on the fatal mission; Esequiel's family, friends and teachers; Marine Corps investigators; FBI investigators and defense attorneys. The film also makes use of military investigative video and audio recordings of radio communication between the Marine team and their commanders before Hernández was shot. Investigators call into question the Marines' decision to follow Hernández when, after firing two shots from more than 200 yards away in their direction, he started slowly back toward his home. They found it unlikely that Esequiel had knowingly fired at the team or that he could have been "flanking" them as they claimed. The Marines and their commanders maintained that Corporal Clemente Banuelos, the team captain, had fired in defense of his men. However, investigators believed that Esequiel was not aiming his rifle at the Marines when he was shot. Although attempts were made to indict Corporal Banuelos for murder in the state of Texas, he was never charged with a crime. As local Redford historian Enrique Madrid explains: "The United States could not allow a legal precedent of that sort to be set in which American soldiers were subject to state laws in the conduct of their military operations. "Esequiel's killing had been so quickly passed over, despite the big issues involved," says director Kieran Fitzgerald, "that our nation has not had a chance to work through its important and urgent implications. My hope is that this film will be our chance. " Filmmaker: Kieran Fitzgerald.
System Details
Mode of access: World Wide Web.

Citations

APA Citation, 7th Edition (style guide)

Fitzgerald, K. (2014). The ballad of Esequiel Hernández . Kanopy Streaming.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Fitzgerald, Kieran. 2014. The Ballad of Esequiel Hernández. Kanopy Streaming.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Fitzgerald, Kieran. The Ballad of Esequiel Hernández Kanopy Streaming, 2014.

MLA Citation, 9th Edition (style guide)

Fitzgerald, Kieran. The Ballad of Esequiel Hernández Kanopy Streaming, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.